public program

masterclass series, public program

HollowBody Workshop with The Human Expression Dance Company

All images: HollowBody Workshop at KongsiKL (2018), by Joie Koo.

Workshop

October 25, 11am-12:30pm

AC Arts, Level 3, Rehearsal Studio, 39 Light Square, Kaurna Yarta

$30 (+ booking fee)


Led by Kuik Swee Boon, Founder and Artistic Director of T.H.E Dance Company, the workshop will include improvisational prompts and tools to guide participants to arrive at nuanced states of physical and physiological connectedness.

About HollowBody:

HollowBody™️ is the signature methodology and movement philosophy advocated by founding artistic director and main choreographer of Singapore’s T.H.E Dance Company, Kuik Swee Boon; it is the current methodology with which the dance artists at T.H.E train. Neither a mere movement aesthetic nor an existential state of being, it is an experiential process, utilising improvisational tools to guide practitioners towards a heightened physiological awareness that resonates in their movement choice, approach, and expression.

HollowBody™️ is based on the understanding of the body as the foundation of our world. As a vessel for thoughts, emotions and energy, our embodied experiences and knowledge transcend language and logic. The HollowBody™️ methodology seeks to establish in its practitioner a level of trust and access that can surface these deep impulses and needs, and unearth an innate connectivity between mind, heart, and body. With the practitioner’s curiosities, potential, and limitations becoming wholly available to themselves, self-understanding and creative expression unfold. 


Today, long-term practice of the HollowBody™️ methodology has fed naturally into T.H.E’s creation and performance voice. We at T.H.E believe that with HollowBody™️, dance and movement can be embraced as a fundamental pillar in life that offers a deep connection to the body, and in turn, the world. 


What to expect:

Participants will be given improvisational prompts and tools, guided to listen to their instinct and impulses, and to rediscover movement as a unique expression and identity.

Experience level:

Suitable for professional and semi-professional dance artists, dancers, full-time dance students aged 18 and above, and movement enthusiasts who are comfortable with improvisation.

  • The Human Expression (T.H.E) Dance Company was founded in 2008 by Artistic Director Kuik Swee Boon. Rooted firmly in Singapore yet universal in its perspective, T.H.E's contemporary dance works reveal the body as a medium for exploring and celebrating the human condition.

    Dance artists at T.H.E are immersed in the Company's signature methodology, HollowBody™️, which guides them to access their deeper instincts and impulses through movement. The Company's movement vocabulary is distinct in its intensely personal aesthetics, yet thrilling in its diversity. Driven by a sincere desire to uncover the intricate, complex and oft-times overlooked dimensions of human existence, the Company's incisive observations on the human condition and its original creations are an essential mirror to the issues and rhythms of contemporary life.

    As one of Singapore's seminal contemporary dance companies, T.H.E has performed and toured at many major and prestigious festivals in Singapore, Malaysia, Indonesia, Thailand, Laos, South Korea, Japan, Taiwan, China, India, France, Italy, Poland, Denmark, Latvia, United Arab Emirates, Australia, and New Zealand.

    Based on its vision of contemporary dance as a medium for nurturing human potential, T.H.E has also actively initiated numerous platforms to engage young artists and the wider public. Since it was founded, the Company also started its semi-professional wing, T.H.E Second Company, which identifies and mentors dance artists who aspire to reach a professional standard of contemporary dance. In 2010, T.H.E also founded the cont·act Contemporary Dance Festival (previously known as the M1 Contact Contemporary Dance Festival) – the country's first annual contemporary dance festival to showcase local and international artists. The Company also regularly runs public classes, workshops, and customised programmes for schools and the community.

    Kuik Swee Boon
    Founder and Artistic Director of T.H.E Dance Company (est. 2008) and its annual cont·act Contemporary Dance Festival (est. 2010), Kuik Swee Boon danced in Compañia Nacional de Danza (CND) from 2002—2007, performing in works by renowned choreographers such as Nacho Duato, Jiri Kylian, and Ohad Naharin. Prior to CND, he danced in Singapore People’s Association Dance Company and Singapore Dance Theatre. A 2007 Young Artist Award recipient, he was nominated for the Benois De La Danse Award in 2003, and selected for the 2021—2023 Fellowship Programme with the International Society for the Performing Arts (ISPA).

    Under Swee Boon’s direction, T.H.E has become a seminal dance company that trains in his HollowBody™️ methodology, with a repertoire of works that has toured many international festivals. Even when the pandemic hit, his 360° virtual reality adaptation of PheNoumenon (2019), amongst other digital projects, made its rounds to Italy and Israel in 2021. Most recently, he was commissioned by Esplanade’s da:ns festival 2022 to create Infinitely Closer, which also marked the opening of the new Singtel Waterfront Theatre.

  • Kuik Swee Boon

    Founder and Artistic Director of T.H.E Dance Company (est. 2008) and its annual cont·act Contemporary Dance Festival (est. 2010), Kuik Swee Boon danced in Compañia Nacional de Danza (CND) from 2002—2007, performing in works by renowned choreographers such as Nacho Duato, Jiri Kylian, and Ohad Naharin. Prior to CND, he danced in Singapore People’s Association Dance Company and Singapore Dance Theatre. A 2007 Young Artist Award recipient, he was nominated for the Benois De La Danse Award in 2003, and selected for the 2021—2023 Fellowship Programme with the International Society for the Performing Arts (ISPA).

    Under Swee Boon’s direction, T.H.E has become a seminal dance company that trains in his HollowBody™️ methodology, with a repertoire of works that has toured many international festivals. Even when the pandemic hit, his 360° virtual reality adaptation of PheNoumenon (2019), amongst other digital projects, made its rounds to Italy and Israel in 2021. Most recently, he was commissioned by Esplanade’s da:ns festival 2022 to create Infinitely Closer, which also marked the opening of the new Singtel Waterfront Theatre.


 

Infinitely Closer is showing as part of OzAsia Festival 2023.

 

public program, gallery II

Exhibition: The Mill Showcase, Hamish Fleming and Juliane Brandt

Image: Courtesy of the artist

October 20 - December 1, 2023

Exhibition opening: Friday, October 27, 5:30-7:30pm

Finissage: Friday December 1, 4:30-6:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Hamish and Juliane’s work in The Mill Showcase Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


The Mill is excited to present a new Showcase exhibition featuring work by Hamish Fleming and Juliane Brandt. Hamish’s oil paintings are moody and evocative, capturing narrative elements within his life - studio still life’s, discarded studies on the green velvet chaise lounge, the artist's shoes. Juliane’s sculptural work situates small clay figures and busts as the head of burnt matches, speaking about the power of fire to burn, but also to regenerate.  

The Mill Showcase is a gallery space dedicated to artists who work in studio spaces at our Angas Street location, exhibiting some of the artworks that have been produced under our roof. The Mill Showcase profiles our artists, so that you can put a face to the name and get to know some of our dedicated makers.

  • Hamish Fleming is a contemporary realist painter currently based in Adelaide (Kaurna Country). Fleming is self-taught, working both with and against the long-standing traditions of realism. In 2023 Hamish has been a finalist in the Bluethumb Art Prize, Centre for Creative Health Art Prize, and Smallacombe Prize, and winner of the Young Artist Category, Adelaide Parklands Art Prize.

    Artist Statement

    My practice draws upon many influences, ranging from the classical masters and post-modernism, to gothic and dirty realism literature. I work solely from life, to convey the subtler elements of the human experience through frequently mundane subject matter.

  • Juliane Brandt is a figurative sculptor, her artworks are an invitation for the viewer to engage and discover intricate facial expressions that visualise an interaction with the surroundings.

    Born in Berlin, Germany, and based in Adelaide since 2022, Juliane´s work evolved from a long process of studies and experiments formed by different influences. Throughout her life, she was able to experiment with many different materials and artistic forms, further developing her skills by gaining extensive practical experience during her Art & Design studies in Berlin and London.

    Juliane has presented her art in various exhibitions across Europe. Her artwork is on permanent display in different venues and also found in private collections. In 2023, she received a People’s Choice Award at the ‘Sculpture in the Garden’ Exhibition at Wollongong Botanic Garden, NSW.

    Artist Statement

    The Enlightened by Nature Series represents the celebration of life and nature through subtle expressions that become evident upon closer inspection.

    My work draws attention to the fragility of nature and the ability to regenerate when given the opportunity and place. Fire management, known as ‘cultural burning’, is part of how First Nations people protect their land, plants and animals. Controlled fires allow the land to rejuvenate and many plants to thrive.

    Symbolised by a simple tool – a matchstick – that becomes truly unique once it is lit, this piece of art celebrates the natural life cycle, the way we exist, interact and adapt to our environment – the foundation for the diversity of nature. They received a People’s Choice Award at the ‘Sculpture in the Garden’ Exhibition at Wollongong Botanic Garden in 2023.

public program, gallery I

Exhibition: Chantal Henley, Gulayí [Woven Vessel]

Image: Courtesy of the artist

October 20, 2023 - January 19, 2024

Exhibition opening: Friday, October 27, 5:30-7:30pm

Artist Talk: Friday, December 1, 5:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Gulayí in The Mill Exhibition Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


The Mill is excited to present Gulayí [Woven Vessel], a new exhibition by Quandamooka and Mununjali artist Chantal Henley as part of Tarnanthi 2023. Working with textiles, Chantal explores body adornment through garments, sculpture, dance and film, embedding her connection to her Grandmother’s country and her own experience as a mother.

  • Gulayí [Woven Vessel] is a gathering of exclusively hand woven, hand printed garments and body adornments that highlight the prominence of retaining and reclaiming language, dance, song and design.

    Embellished in gathered fibers, up cycled fabrics, shells, feathers and clay, Gulayí features custom prints that are a direct tribute to my Quandamooka and Mununjali kinship, paying homage to Country and Water through woven techniques reclaimed through the many Gulayí makers that carry and contain the stories of our Elders.

  • Chantal Henley is an Artist & Designer from the Ngugi and Mununjali clans of the Quandamooka and Yugambeh peoples of South - East Queensland.

    From an early age, Chantal connected to culture through Dance and Song and soon became familiar with textiles through both of her Grandmothers, encouraging her to learn various techniques and explore fabrics and fibres.

    Through a brief stay at design school, she explored western design fundamentals and obtained insight into the production and manufacturing processes within the textile and fashion industry, soon deciding to journey elsewhere with her creativity.

    Henley credits her time with master weavers and their unconditional effort to exchange with her through kinship and storytelling, contributing to her ability to regain and retain those Gulayí songlines.

    Chantal carries her strong message of connection and retaining ancestral skills and techniques through her woven Gulayí (bag, vessel) and hand painted Ungarie (Swamp Reed) prints included in her collections and body of work, paying homage to her Mununjali and Ngugi songlines.

    Her textiles and body adornments have been showcased and exhibited by Artisan, National Gallery of Australia, Redland Art Gallery, Jam Factory, Art Gallery Gold Coast and Cairns Indigenous Arts Fair, including publications such as Peppermint & RUSSH Magazine.

    Henley is currently based in Tarntanyangga (Adelaide) Kaurna Yerta with her partner and children.

 
 
 
 

public program, workshop, masterclass series

Workshop: Weaving with Chantal Henley

Image: Courtesy of the artist

Workshop

November 7, 12-3pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: $58 (+ booking fee)

  • You can find Gulayí in The Mill Exhibition Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


Join Quandamooka and Mununjali artist Chantal Henley for a weaving fundamentals session at The Mill. Chantal is an incredible textile artist, and this workshop is a fantastic opportunity for participants to learn about techniques and materials, and hear more about Chantal's knowledge of weaving.

What to expect:

Chantal will demonstrate introductory techniques to woven body adornments. Participants will have access to materials and get to try new techniques, and can take home their creations on the day.

All materials provided

About the exhibition:

Gulayí: Woven in the Womb is a new exhibition by Chantal Henley as part of Tarnanthi 2023. Working with textiles, Chantal explores body adornment through garments, sculpture, dance and film, embedding her connection to her Grandmother’s country and her own experience as mother.

  • Gulayí (Woven Vessel) is a gathering of exclusively hand woven, hand printed garments and body adornments that highlight the prominence of retaining and reclaiming language, dance, song and design.

    Embellished in gathered fibers, up cycled fabrics, shells, feathers and clay, Gulayí features custom prints that are a direct tribute to my Quandamooka and Mununjali kinship, paying homage to Country and Water through woven techniques reclaimed through the many Gulayí makers that carry and contain the stories of our Elders.

  • Chantal Henley is an Artist & Designer from the Ngugi and Mununjali clans of the Quandamooka and Yugambeh peoples of South - East Queensland.

    From an early age, Chantal connected to culture through Dance and Song and soon became familiar with textiles through both of her Grandmothers, encouraging her to learn various techniques and explore fabrics and fibres.

    Through a brief stay at design school, she explored western design fundamentals and obtained insight into the production and manufacturing processes within the textile and fashion industry, soon deciding to journey elsewhere with her creativity.

    Henley credits her time with master weavers and their unconditional effort to exchange with her through kinship and storytelling, contributing to her ability to regain and retain those Gulayi songlines.

    Chantal carries her strong message of connection and retaining ancestral skills and techniques through her woven Gulayi (bag, vessel) and hand painted Ungarie (Swamp Reed) prints included in her collections and body of work, paying homage to her Mununjali and Ngugi songlines.

    Her textiles and body adornments have been showcased and exhibited by Artisan, National Gallery of Australia, Redland Art Gallery, Jam Factory, Art Gallery Gold Coast and Cairns Indigenous Arts Fair, including publications such as Peppermint & RUSSH Magazine.

    Henley is currently based in Tarntanyangga (Adelaide) Kaurna Yerta with her partner and children.


 
 
 
 

public program, gallery I

Artist Talk: Chantal Henley, Gulayí [Woven Vessel]

Photo: Courtesy of the artist.

Artist Talk

December 1, 5:30-6pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free

  • You can find Gulayí in The Mill Exhibition Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


Join Quandamooka and Mununjali artist Chantal Henley for an intimate Artist Talk, discussing her exhibition Gulayí [Woven Vessel] as part of Tarnanthi 2023.

  • Gulayí (Woven Vessel) is a gathering of exclusively hand woven, hand printed garments and body adornments that highlight the prominence of retaining and reclaiming language, dance, song and design.

    Embellished in gathered fibers, up cycled fabrics, shells, feathers and clay, Gulayí features custom prints that are a direct tribute to my Quandamooka and Mununjali kinship, paying homage to Country and Water through woven techniques reclaimed through the many Gulayí makers that carry and contain the stories of our Elders.

  • Chantal Henley is an Artist & Designer from the Ngugi and Mununjali clans of the Quandamooka and Yugambeh peoples of South - East Queensland.

    From an early age, Chantal connected to culture through Dance and Song and soon became familiar with textiles through both of her Grandmothers, encouraging her to learn various techniques and explore fabrics and fibres.

    Through a brief stay at design school, she explored western design fundamentals and obtained insight into the production and manufacturing processes within the textile and fashion industry, soon deciding to journey elsewhere with her creativity.

    Henley credits her time with master weavers and their unconditional effort to exchange with her through kinship and storytelling, contributing to her ability to regain and retain those Gulayi songlines.

    Chantal carries her strong message of connection and retaining ancestral skills and techniques through her woven Gulayi (bag, vessel) and hand painted Ungarie (Swamp Reed) prints included in her collections and body of work, paying homage to her Mununjali and Ngugi songlines.

    Her textiles and body adornments have been showcased and exhibited by Artisan, National Gallery of Australia, Redland Art Gallery, Jam Factory, Art Gallery Gold Coast and Cairns Indigenous Arts Fair, including publications such as Peppermint & RUSSH Magazine.

    Henley is currently based in Tarntanyangga (Adelaide) Kaurna Yerta with her partner and children.


 
 
 
 

public program, gallery I, gallery II

Exhibition: CHARTS Community Housing Arts Awards

September 28 - October 12, 2023

Free entry, all welcome

  • You can find CHARTS in The Mill’s Exhibition Spaces,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    Open daily, 10am-4pm.


The Mill is pleased to host the second CHARTS Community Housing Arts Awards 2023. The Community Housing Art Awards were created to celebrate and showcase the creative diversity, depth and talent of tenants of community and social housing.

The exhibition features a shortlist of entries from established artists, mid-career and emerging artists who live in community housing across South Australia. From paintings, drawings, photography, sculpture to digital and graphic art, poetry and literature, CHARTS is a celebration of creativity!

We welcome art lovers from the Adelaide community and beyond to join us for this exhibition.

  • Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


 
 
 

first nations dance, public program

First Nations Dance Program: BlakDance workshops

Photo: Luke Currie-Richardson and Tjarutja Dance Collective.

The Mill is facilitating a series of professional development workshops at The Mill, Adelaide, with dance industry leaders from BlakDance QLD.


Workshop 1: Intro Yarn, April 21

Getting to know each other, discussing each others practice/creative goals, about BlakDance, the organisations history, programs, how we operate and work with artists.

Workshop 2: Business Basics for Independent Artists, April 28

Business Basics for Independent Artists - the decision to set up as a business, minimum things needed to apply for funding, enter contracts etc, auspicing vs self-managed.

Workshop 3: The First Nations Dance Ecology, July 28, 5:30pm - 7:30pm

A workshop on how new work is funded and developed, overview of the sector, who is making work, where is it being produced, the different business models/structures in which artists are making work e.g. independents, companies and collectives presented. BlakDance will be delivering this workshop online from Brisbane.

Workshop 4: Managing Cultural Protocols, September 8, 5:30pm - 7:30pm

Merindah Donnelly (Wiradjuri) Co-CEO & Executive Producer and Kate Eltham Co-CEO & Business Director from BlakDance will be facilitating the workshop and will have guest speaker Olivia Adams (Wulli Wulli) who is Associate Producer and Associate Artist at Blakdance.

Workshop 5: Grant Writing/Producing skills, November 3, 5:30pm - 7:30pm

Co-CEO & Business Director Kate Eltham from BlakDance will be leading this workshop about grant writing and producing skills.


This program is supported by:

 
 

masterclass series, public program

Movement Workshop with Bulareyaung Dance Company

All images: Bulareyaung Dance Company by Lee Chia Yeh.

Workshop

October 17, 1:30-3:10pm

AC Arts, Level 3, Rehearsal Studio, 39 Light Square, Kaurna Yarta

$30 (+ booking fee)


Bulareyaung Dance Company dancers will share what they have learned from indigenous Paiwan tribes including ancient daily chants.

What to expect:

Participants will have the chance to explore their physicality while singing and incorporating body movements.

Experience level:

Recommended for 18 yrs and above, no prior experience required.

  • The Bulareyaung Dance Company was founded in 2015 in Taitung by Bulareyaung Pagarlava, an indigenous choreographer from Taiwan. Creation of dance pieces and dancer training are accomplished by working in the mountains and singing old chants by the waterside. Dancers develop unique body movements and vocabulary by delving into their indigenous heritage and culture through regular field trips.


 

Tian Tiamen Episode 1 is showing as part of OzAsia Festival 2023.

 

public program, sponsored studio, gallery II, yasemin sabuncu

Artist Talk: Yasemin Sabuncu, Alchemical

Image: Daniel Marks

Artist Talk

Tuesday, August 8, 12-1pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Yasemin Sabuncu’s Alchemical in The Mill’s Exhibition Space,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.


Yasemin Sabuncu will chat with The Mill’s Visual Arts Curator Adele Sliuzas about the works in her solo exhibition Alchemical. This Artist Talk will also be live streamed via The Mill’s YouTube.

This exhibition reclaims the artist's space and power as a creative who has had their career and life effected by late-stage diagnosis of endometriosis and ADHD.

Yasemin Sabuncu is the recipient of the Mahmood Martin Foundation Sponsored Studio for the January-June residency in 2023.

  • Item description
  • Yasemin is multidisciplinary creative with a Turkish background who works as a writer, director, actress, artist and comedian. Studying a double major in screen and theatre production at Flinders University, she went on to study Honours specialising in video, digital technology and performance.

    She also studied long form improv and sketch comedy at the improv conspiracy in Melbourne, and at Groundlings and UCB in LA.

    Yasemin aims to create stories that uplift, engage and promote diversity in innovative ways. Her work explores ideas of belonging, identity, liminality, spirituality, the environment, race, health and being “the other.”

    Her work has been shown as part of ActNow Theatre’s digital residency in 2021 and FELTdark program 2022. She has also been a Midsumma Pathways participant,receiving mentorship from Victoria Falconer and Tj Dawe, Canada, for her 2021 Fringe show 'the Illest'.

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street. Unfortunately, the main entrance is not accessible, as it has a small step from the pavement.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team you would like to come into the building.

    A member of The Mill team sit in the foyer Monday to Friday and can assist you with access to our wheelchair accessible entrance.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


public program, sponsored studio, yasemin sabuncu

Workshop: Yasemin Sabuncu, Alchemy

Image: Daniel Marks

Workshop

Friday, August 11, 2-4pm

The Exhibition Space, 154 Angas Street, Kaurna Yarta

$20 (+ booking fee)

  • You can find Yasemin Sabuncu’s Alchemical in The Mill’s Exhibition Space,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.


Join Yasemin for a 2-hour workshop exploring themes from the Alchemical exhibition, viewing the alchemy of chronic illness and art as a process that changes and transforms.

Yasemin invites participants to bring along something that they would like to transform- a situation, a feeling, an illness or diagnosis. Yasemin will guide participants through her process of reclaiming power as a creative, transforming it into something unexpected, new, and uncharted. Not-quite-therapy, but more than just the process of art, the workshop encourages collectivity and community as part of the transformation.

What to expect:

Participants will use pens, pencils, paper, and paint to explore something that they are finding emotionally or physically tricky, and turn it into art.*

Experience level:

Open to all skill levels, 18+

*please note: The Artist and The Mill are not trained Art Therapists. This workshop is about exploring Yasemin’s process as an artist.

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street. Unfortunately, the main entrance is not accessible, as it has a small step from the pavement.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team you would like to come into the building.

    A member of The Mill team sit in the foyer Monday to Friday and can assist you with access to our wheelchair accessible entrance.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


 

Yasemin Sabuncu is the recipient of the Mahmood Martin Foundation Sponsored Studio for the January-June residency in 2023.

 

public program, sponsored studio, gallery II, yasemin sabuncu

Exhibition: Yasemin Sabuncu, Alchemical

Image: Courtesy of the artist

August 4 - September 22, 2023

Exhibition opening: Friday, August 4, 5:30-7:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Yasemin Sabuncu’s Alchemical in The Mill’s Exhibition Space,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


For SALA 2023, The Mill is excited to present Alchemical, a solo exhibition by multimedia artist Yasemin Sabuncu. This exhibition reclaims the artist's space and power as a creative who has had their career and life affected by late-stage diagnosis of endometriosis and ADHD. The works explore how to find safety, rest, home, and love in a body that is often labelled wrong or is causing pain and disability.

Yasemin Sabuncu is the recipient of the Mahmood Martin Foundation Sponsored Studio for the January-June residency in 2023.

  • This exhibition explores the transformative power of chronic illness and how it can alchemise you into something unexpected, new, and uncharted. I wanted to show the shadow and light of the process of evolution I experienced trying to find healing, meaning, and answers to why I was feeling so out of sorts and being so sick I couldn’t work.

    Through tens of thousands of dollars in medical costs, being bed bound, unable to work, countless hours of appointments, surgeries, invasive tests, waiting up to a year for certain appointments, and evaluations I finally found some answers. It took almost two decades for me to find this diagnosis. I was not alone with the length of diagnosis, Endometriosis which effects 1 in 9 people who were assigned female at birth, takes on average 10 years to diagnose which is not good enough.

    The whole process had nearly broken me many times and I had to rely on my inner strength to survive and persevere with the uncertainty and my degrading health. Despite my best efforts I had slipped through the cracks of the medical system, and been living with undiagnosed endometriosis, adenomyosis, chronic fatigue syndrome/ME, and ADHD. It was a relief in some ways to find out what was ‘wrong’ with me, but then I had to let go of who I used to be and create a new life within the limitations of my conditions.

    Luckily now with understanding of my body and finding suitable treatments and surgery I have been forever altered and beginning a new life initiated by the alchemical process of living with my conditions. The liminal space I endured birthed into something beautiful, at times terrifying, and ultimately life changing. It made me look deeper into my spirituality, consciousness, and deep investigation of life and the universe. This process is represented through the spectrum of colours, shapes, textures, biological and geological imagery, and various mediums to reflect on some of my experiences through this process.

  • Yasemin Sabuncu is a multidisciplinary creative with a Turkish background who works as a writer, director, actress, artist and comedian. Studying a double major in screen and theatre production at Flinders University, she went on to study Honours specialising in video, digital technology and performance.

    She also studied long-form improv and sketch comedy at the improv conspiracy in Melbourne, and at Groundlings and UCB in LA.

    Yasemin aims to create stories that uplift, engage and promote diversity in innovative ways. Her work explores ideas of belonging, identity, liminality, spirituality, the environment, race, health and being “the other.”

    Her work has been shown as part of ActNow Theatre’s digital residency in 2021 and FELTdark program 2022. She has also been a Midsumma Pathways participant,receiving mentorship from Victoria Falconer and Tj Dawe, Canada, for her 2021 Fringe show 'the Illest', with support from Adelaide Fringe Artist Fund. Recently, Yasemin created a mural for My Lover Cindi, supported by Adelaide Fringe Fund.

Photos: Daniel Marks


public program, spotlight residency, theatre residency

Spotlight Residency: The CRAM Collective, 'The Future is YOU'


Photo: Verity Lo.

Showing and Q&A

When: Friday, August 25, 6-7pm

Cost: $10 (+ booking fee)

Note: Please arrive at 5:45pm arrival for a 6pm sharp start. This event will be 1 hour (including the Q&A). 

  • This showing and Q&A will be held in The Mill Breakout. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Please arrive at 5:45pm arrival for a 6pm sharp start.

    This event will be 1 hour (including the Q&A).


From first grade, we’re told you can be anything you want to be. In high school, we’re told the world is your oyster. In our twenties, we’re told the future is yours – seize it. In a capitalist world, the future is an investment. But what does this mean for young people inheriting a planet facing a climate crisis, filled with injustice and the consequences of generations gone? 

The idea for this show came from a moment of nihilism. We felt like the future of our dreams was impossible. We started reflecting on the climate crisis, the impossibility of ever owning our own homes, the reliance our generation has to our screens. From this a strange anger came towards previous generations and a guilt for those to come.

We started asking questions like do we make an active effort to improve the future or dance while the world is burning? Should we be ambitious and focus on our own futures or consider the state in which we want to leave the planet? What will future generations think of the mistakes we’re making? Is it possible to be both ambitious and conscious of others? 

The showing will be followed by a short Q&A with CRAM artists, hosted by The Mill CEO / Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

 

About the artists:

The CRAM Collective features Connor Reidy, Henry Cooper, Elvy-Lee Quici, Praise Mangena, Jennifer Stefanidis, Kate Burgess, Alix Kuijpers, James Starbuck, Ren Williams and Melissa Pullinger.

  • Connor Reidy is a South Australian director and theatre maker. He graduated with first class Honours in Directing at the Flinders University Drama Centre. His directing credits include pool (no water), BC, Control, Iphigenia in Orem, The Seagull, and Lungs (Flinders DC).

    In 2016, Connor underwent a playwriting mentorship with Australian Theatre for Young People (ATYP). In 2021, Connor co-founded The CRAM Collective, a South Australian independent theatre company. His credits for CRAM include NEW WORLD COMING and Anna Barnes’ Something Big. CRAM is the proud recipient of the 2022 Helpmann Academy Creative Innovator seed funding.

    Connor’s professional assistant directing credits include Lines and The Bleeding Tree (Theatre Republic), Oleanna (Flying Penguin Productions), and The Normal Heart, Prima Facie and Hibernation (STCSA). Connor recently directed Emily Steel’s The Worst as part of Theatre Republic’s Future:Present 2.0 and Proud for Famous Last Words.

    ______________________________________________________________________

    Henry Cooper is a South Australian actor who has recently graduated from the Flinders Drama Centre. During his time at the Drama Centre, Henry had the opportunity to portray a diverse range of characters. These include: Peer Gynt in Gynt: After Henrik Ibsen (Dir. Nescha Jelk), Demetrius, Starveling and Peaseblossom in William Shakespeare’s Midsummer Nights Dream (Dir. Tom Healey), Joseph in Rita Kalnejais’ B.C (Dir. Connor Reidy), Hamlet (Dir. James Wardlaw), Roland in Nick Payne’s Constellations (Dir. Tom Healey), Kulygin in Anton Chekhov’s Three Sisters (Dir. James Healey) and Dionysus in Euripides’ Bacchae (Dir. James Wardlaw). Through his time studying, Henry also developed a keen interest in devised theatre and hopes to further pursue this area.

    ______________________________________________________________________

    Elvy-Lee recently graduated from the Flinders University Drama Centre in 2022 with a Bachelor of Creative Arts (Honours). Elvy-Lee’s professional theatre debut was as Mei in Single Asian Female for the State Theatre Company of South Australia. She also starred in Elena Carapetis’ short film Blame the Rabbit ahead of pursuing her acting career in theatre, film and television. Elvy-Lee is eager to create passionate, socially and politically charged work, and further her artistry delving into diverse and inclusive projects.

    ______________________________________________________________________

    Praise Mangena is an up and coming full time artist trained in event organization, sketching, dance, creative writing, poetry and modeling. Praise has organized multiple successful social events with Adverse Reign (2022-) and has worked with SANAA Festival and FESHENE, curating music. She specializes in contemporary afro-fusion dance influenced by South-East African traditional movement and most notably to date, has performed at WOMADelaide (2022), SANAA Festival (2022/23) and at TheFinestFilth during the 2023 Fringe Festival. Praise has also been actively involved as co-director, producer and writer in the development of ‘Unheard’- a multidisciplinary collective that showcased stories of intersectionality in 2022 for the Adelaide Festival Centre In-Space Development Program. Currently, Praise is working on her writing and recently had the opportunity to showcase her work at the open-mic event Soul Lounge as a feature where she incorporated dance with poetry.

    ______________________________________________________________________

    Evyenia “Jennifer” Stefanidis is a multidisciplinary Greek-Australian artist working on Kaurna Country, South Australia. An alum of the Flinders University Drama Centre, she continued her collaborative, ensemble-based practice as a member of Slingsby’s Flying Squad. In 2022, Jennifer undertook a directorial secondment with State Theatre Company South Australia on Antigone, for which she performed various offstage roles before stepping in as an understudy. Evyenia finalised her work with Slingsby Theatre in The River That Ran Uphill, as part of the 2023 Adelaide Festival and Slingsby’s By Request program, touring metropolitan, rural and regional South Australia. She is enthusiastic to join Patch Theatre’s Spark program as a Glow & Tell creator and performer, as well as for her collaboration with The CRAM Collective on THE FUTURE IS YOU. Her recent credits include The River That Ran Uphill, This Tree is a Story (Slingsby Theatre), The Seagull (Dir. Connor Reidy) and Revolt. She Said. Revolt Again. (Dir. Anthony Nicola).

    ______________________________________________________________________

    Kate Burgess is an Adelaide College of the Arts Graduate, completing her Honours of Creative Arts (Dance) in 2022 and Bachelor of Creative Arts (Dance) in 2021. Kate has studied a range of multidisciplinary subjects, however found a strong interest in Euro crash tumbling, dance on film, capoeira-inspired movement, classical ballet technique and contemporary dance technique. She is drawn to inspiration from a variety of different art forms including visual art, film and physical theatre; to create original, hybridised works. Her Honours choreographic work “THAT’S AMORE.” 2022 was a combination of dance theatre and five short films.

    Since graduating Kate has hit the ground running, being one of three Co-founders of Adelaide's newest Collective "ALCHEMY DANCE COLLECTIVE '' alongside Caroline De Wan and Hanna Instrell-Walker. Bringing Alchemy's debut performance to Adelaide Fringe in 2023, "SOUL & DEJA VU" as both performer in Soul By Hanna Instrell-Walker and Director of Deja Vu. Alchemy was also accepted into the Helpmann class of 2023 for the Creative Innovator, and is co-curator for “TRILOGY FILM FEST” supported by Goodwood Theatre and Sponsored by Bacardi.

    ______________________________________________________________________

    Alix Kuijpers is a multidisciplinary dance based artist with a passion for queer centered performance work, sound design and experimental dance theatre. The award winning choreographer has been celebrated for their multiple choreographic works including i know the end, IMMATERIAL and Cowl and is currently a sharehouse resident at Carclew. Kuijpers most recently has completed time overseas performing in Jacob Jonas's Mind Cry at Orsolina 28 and Annamari Keskinen & Ryan Mason's Particle Accelerator at B12 research or die.

    ______________________________________________________________________

    Since graduating from Drama Centre and entering the industry, James Starbuck has dived into a wide variety of projects. From acting in short films, physical theatre and motion capture to writing and developing upcoming projects with artists overseas, James is making a name for himself as a versatile performer for all mediums of storytelling.

    ______________________________________________________________________

    2020 Honours Graduate from the Flinders University Drama Centre; Ren Williams (she/her) is an Actor, Writer, Director and Film-maker and co-founder of CRAM Collective, creating work on Kaurna Yerta.


    Through her writing, Ren recently won the 2021 Award for State Theatre Company SA’s Young Playwrights Competition for her play ‘Modified’, after her play ‘Touch’ won a merit in the competition in 2020. In August 2021, Ren worked with Under the Microscope with their interactive theatre development of ‘Guthrak’; and with Kinetik Collective’s development of ‘Kill Climate Deniers’ by David Finnigan, which will be part of STCSA’s StateSide program in 2022. 


    Making her Stage Directing debut in November 2021, Ren was thrilled to have directed Deadset Theatre Company’s production of Lachlan Philpott’s ‘Truck Stop’.

    Ren’s film-making has won multiple awards over the last four years at the Adelaide 48 Hour Film Project; her 2018 film ‘Andii’ winning Best Film, taking it to Filmapalooza in Orlando Florida. This has led to Ren co-founding her new film company ‘Error Squared Productions’ which has recently released their 2021 film ‘INGÉNUE’, winning her the title of this years Best Actress.

    ______________________________________________________________________

    Melissa Pullinger is an actor, deviser and creative, and is a 2020 Honours graduate of Flinders University Drama Centre. Growing up in England, Melissa appeared in the Andrew Lloyd Webber production of The Sound of Music (2008) at the London Palladium, where she played Brigitta Von Trapp for six months. Upon emigrating to Adelaide, Melissa performed in Border Project’s Disappearance (2008) and then Windmill Theatre and the Adelaide Symphony Orchestra’s Granpa (2008), whilst being extensively involved in an array of theatre groups.

    Melissa has starred in and been on the production team of various award-winning short films. She is a founding member of the 48hr Film Project team, The Dee Cees, later rebranded as Error Squared Productions, who have won multiple awards, including Best Film in the Adelaide competition with their film ANDII (2018). With this film, they went on to win a further award at Orlando’s international Filmapalooza. Melissa was Production Manager, co-created and starred in the feature film, The Garden (Dir. Aarod Vawser).

    Since graduating, Melissa has toured with Perform! Education in their Book Week Tours in 2021 and 2022. In 2021, Melissa co-founded The CRAM Collective and has produced and starred in NEW WORLD COMING (2021) and the world premiere of Anna Barnes’ Something Big (2022). In 2022, Melissa travelled to England after being selected to be part of Frantic Assembly’s International Summer School. In the 2022 and 2023 Adelaide Fringe season, Melissa was the Schools Program Coordinator, and she also teaches at True North Youth Theatre Ensemble and True Ability. Melissa is a proud member of MEAA and RUMPUS. Melissa was recently part of Illuminate Adelaide, puppeteering a crab with Slingsby and Blanck Canvas, and has now joined the American tour of Bluey’s Big Play for the next six months, where she will be puppeteering Bingo.

  • Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


public program, gallery I

Exhibition: Kat Bell, Threads

Image: Courtesy of the artist

August 4 - September 22, 2023

Exhibition opening: Friday, August 4, 5:30-7:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Kat Bell, Threads in The Mill Exhibition Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


The Mill is excited to present Threads, a solo exhibition by regional First Nations artist Kat Bell exploring the threads of memories and dreams that are stretched and broken through trauma, and their role in the healing journey.

  • This is a story of life, dreams and memories intertwining, entangling, and unravelling like threads falling from the tail of a wiry old beast.

    The artist has used painting, basketry, crocheting, embroidery, beading, weaving and digital projection, to represent the threads of dreams and memories as a survival of complex trauma, living through PTSD and the healing journey.

    Contrary to the darker, central topic of this exhibition, pieces are made using bright colours, playful imagery, and a childlike presence. The artworks are intended to be a mixture of pleasing, playful, wilful, dreamlike, imaginative, and challenging to the viewer. The viewer may not necessarily feel the immediate impact of the serious topic that is represented in these works, but when looking deeper into the pieces, and through written accompaniments, the somewhat uncomfortable and challenging nature of trauma and PTSD will bare through. This is intentional, as the artist believes that trauma doesn’t always mean that things need to remain dark and uncomfortable.

    Through healing, we can learn, grow, and take hold of these threads of memories and dreams, rethreading them into a new story, a new path, a new future.

    Why threads?

    The use of textiles, fibres, paint, and other mediums seemed like the most apt way to depict how our dreams and memories can be interwoven, or even confused as time goes on and the details become blurred as our minds age and memories slip away into muddled up images of reality and imagination. It also, speaks to the artists relationship with thread-based artforms, such as embroidery, fabric dying, hand stitching, crocheting, knitting, and so on, in their healing journey.

    The broader description

    This exhibition tells the tales of the past and the now, through the artist’s First Nation lens, using storytelling, akin to the dreaming, that looks to the wisdom and guidance of our ancestors to heal her heart, mind, and soul. The wiry beast (trauma) has left an echo of itself (PTSD), which plays a role in her waking thoughts and dreams, visiting her (like the old spirits of our dreaming stories), to remind her of what has been, what she has survived and that despite the past she can find peace, calm, freedom through the healing power of art.

    The artist is interested in how trauma expresses itself in our dreams, memories, and imaginings. How do we conceive and better understand these threads of memories, dreams, and imaginings, with and separate from their trauma beginnings? As each thread is unravelled over the years, how do we distinguish between what are threads of reality and those that are not, those that are the minds internal conjuring’s meant to protect the traumatised mind, those that are the individuals creations (a way of retelling events and seeing things through a different lens, whether intentionally or otherwise) or those that are simply broken, fragmented, damaged imaginings in our minds that are neither real or made-up?

    Somewhat contrary to the darker notion of trauma, the artist has chosen to represent their experiences of trauma in a lighter note, drawing on the idea of dreams as a way of controlling how past trauma can be halted from seeping through into the now.

    For more than 3 decades the artist suffered at the hands of their PTSD, with their trauma flooding through into every aspect of their life. A significant part of that was the way in which their trauma invaded their dreams. A life lived with nightmares, little sleep, a tightly wound nervous system and barely any reprieve from their past trauma, they were captive in what felt like an endless cycle of torture.

    The mind is a powerful tool. Understanding its power and how to take back control of it, was the only way forward. This is where dreams and their role in dealing with trauma became key to the artists own recovery. Through a lengthy process of learning how to regain control of their dreams, mastering the events and their reactions within the dream state and pulling apart these images thread by thread, replacing them with the now (or reality as it is), gave them greater control over their waking experiences. But the artist continues to unravel the threads of their dreams and memories, asking (rationally and logically) always, what is real and what is not.

  • As a First Nation Gudjula and Girramay woman, mother, and autistic person, I am interested in using a range of art forms to create narratives about my life experiences, in particular "surviving complex trauma (e.g. C-PTSD, DV, sexual violence)", and most importantly "what it means for me to be a neuro-diverse Aboriginal woman navigating a neurotypical world". These experiences sit at the core of my artistic practice. I am passionate about continually learning and sharing my Aboriginal cultures and reimagining them in a contemporary context, while also drawing on my experiences living and travelling to other places around the world. I draw on these influences, and my love for country and the colours that lather the Australian landscapes.

 

expand, public program

Expand: Make|Shift Artist Talk

Image credit: Margie Medlin

July 28, 12-1pm

The Breakout at The Mill, 154 Angas St, Kaurna Yarta (enter via the main foyer)

Cost: Free


The Mill invites you to the Make|Shift Artist Talk and mini-doco screening where you can hear from some of the artists about their practice and process. The talk will feature exhibiting artists Ray Harris and Tanya Voges and will be chaired by The Mill’s CEO/Artistic Director Katrina Lazaroff and Visual Arts Curator Adele Sliuzas. Artist James Alberts will also chat about his contribution to the exhibition and will screen his mini-documentary made about the Make|Shift process.

Make|Shift is an immersive and experimental exhibition of projection art as part of Illuminate Adelaide. The exhibition features digital image and projection based work by six South Australian multidisciplinary artists; James Alberts, Ray Harris, Sarah Neville, Liam Somerville, Inneke Taal and Tanya Voges, with Margie Medlin as Artistic & Curatorial Facilitator supported by artistic mentorship from Illuminart’s Cindi Drennan and Tim Gruchy.

The Make|Shift exhibition will be open for viewing across The Mill’s Exhibition Space and Showcase galleries, The Breakout and outdoor spaces. 

  • Make|Shift is part of The Mill’s Expand program, a responsive process and development program, with interest in challenging artists to explore interdisciplinary, site-specific and audience-focused new work.

    Expand supports artists to explore different modes of collaborating and encourages peer-learning. It enables risk taking, experimentation and freedom of expression in the creation and realisation of new works.

    Expand invites audiences to not only appreciate, but actively participate in the practice of art-making through artists talks, Q&A’s and public workshops.

    The exhibition has been developed through Expand’s Cinematic Experiments: Projection Techniques and Technologies program.

  • James Alberts, aka Jimblah, is a Larrakia Brother who specialises in activating community & using the power of creative space to bring about healing, joy, and play where Community and Country are concerned. James is a music producer, vocalist, photographer & cinematographer, and utilises Song & Story to help uplift and transform Community for the better, and has close to 20 years of experience working within the First Nations sector, in particular youth spaces, all across the Country.

    Ray Harris is an Adelaide artist working in video, performance and installation exploring the psychological complexities and struggles of the self. She is also a curator, advocate and initiator of projects and studios. Ray is committed to furthering the SA arts through participation, support, spaces and opportunities. She has a Master’s degree from UNI SA has won several grants and awards and has exhibited locally, nationally and internationally including: the Samstag Museum, AEAF, Adelaide Festival Hugo Michell Gallery, Sydney Contemporary Art Fair, Casula Powerhouse, Brenda May Gallery, Pirimid Sanat and Istanbul Contemporary Art Fair (Turkey) and SEEAF Art Festival (South Korea). Her work is held in The Borusan Collection and Project 4L- Elgiz Museum Collection, Turkey and private collections in Australia and has featured in publications such as Artlink, Art Collector, Broadsheet, Real time, and ETC magazine Canada. Ray led, curated (2 co-curated) and managed 3 group exhibitions and performance events at Holy Rollers, and Led, initiated, developed and executed Neoteric, a 20 mid-career SA group exhibition with 20 writers in Adelaide Festival, 2022. Ray was a co-director of FELTspace ARI from 2010 to 15, the co-founder of Peer studios, founder and director of Holy Rollers Studios, Prospect and now The Third Level Studios in the Adelaide CBD.

    Interdisciplinary artist Tanya Voges brings her experience in dance, drawing, community engagement and dance film making to make multimedia performance works, live dance pieces and dance for screen. A 2004 graduate of Victorian College of the Arts, Tanya is currently back at the University of Melbourne undertaking a Master’s in Dance Movement Therapy. The cross over between arts and health has been a common theme in the community engagement works Tanya has created in recent years especially as Artist in Residence at Flinders Medical Centre Arts-in-Health (2020 & 2021) where she developed Drawn to Movement and Dance for Tender Times particularly with the patient experience in mind. Other residencies have been through Australian Dance Theatre (2021), The Mill (2020) and Guildhouse/SA Museum Tracing the Anthropocene (2020), Critical Path (2014), BigCI(2014) and Bundanon (2011 & 2013). Recent collaborations with Artist Louise Flaherty and Musician Belinda Gehlert have led to participatory performances in the Parklands (2020), Adelaide Botanic Gardens (2021 Nature Fest), Mt Lofty Botanic Gardens (2022 Fringe) and a new work for Lobethal Bushland Park (April 2023 Fabrik). As an advocate for dance for all ages Tanya facilitates choreography, contemporary dance and improvisation for Adelaide Festival Centre, Tafe SA, Restless Dance Theatre, Flinders Medical Centre and Carclew.

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street. Unfortunately, the main entrance is not accessible, as it has a small step from the pavement.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team you would like to come into the building.

    A member of The Mill team sit in the foyer Monday to Friday and can assist you with access to our wheelchair accessible entrance.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact us via email

 
 
 
 

Illuminate Adelaide are the presenting partner for Make|Shift.


This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

Make|Shift and Cinematic Experiments: Projection Techniques and Technologies are presented with support from City of Adelaide.

 

public program

The Mill: Seeking Venue and Event Manager

The Mill is seeking an enthusiastic and skilled Venue and Event Manager to join its small team at 154 Angas St, inclusive of our 57 studios, The Breakout performing arts space, The Exhibition Space, The Mill Showcase, Upstairs Studio and Workshop.

The role of the Venue and Event Manager is to manage The Mill Venue at 154 Angas Street, Adelaide, manage relationships with studio residents, program artists and sponsors and promote valuable outcomes and positive community development.

The Venue and Event Manager will be responsible for ensuring The Mill complies with all Occupational Health and Safety laws and building compliances and will ensure all relevant personnel/artists have all the information they require to carry out their tasks and duties in the most effective, efficient and professional manner. This includes supervision of The Mill staff and support staff, as well as interns and volunteers who are assisting with the venue. The Venue and Event Manager will provide clear OH&S guidelines for the scope of work to be undertaken by resident artists.

Key roles of the Venue and Events Manager include:

  • Managing and issuing hire agreements with resident artists and outside hirers

  • Coordinating regular community gatherings for studio residents

  • Issuing and tracking keys

  • Organising cleaning and waste management

  • Managing building maintenance and property improvements

  • Managing events and venue bookings

  • Managing safety and access of all venue spaces

  • Managing venue and event related sponsors

  • Increasing venue hire, attracting new business and maintaining studio occupancy

  • Increasing visibility of The Mill as a venue for hire

  • Being on-site for events and/or coordinating, training and onboarding casual event staff

  • Managing venue emergencies

  • Assisting the General Manager to develop and improve venue procedures and policies.

Key dates

Applications open: Tuesday, July 18, 2023

First round applications close: Tuesday, August 1, 2023, strictly 9:30am

Interviews: Friday, August 4, 2023

Position starts: Early August Date TBC

We require an up-to-date CV and one-page cover letter sent to The Mill CEO/Artistic Director Katrina Lazaroff director@themilladelaide.com

breakout showing, free-range residency, public program, theatre residency

Free-range Residency: Astrid Pill, 'Peter Out the Obsolete'


Informal showing and Q&A

When: Friday, June 9, 6-7pm

Cost: $10 (+ booking fee)

  • This informal showing and Q&A will be held in The Mill Breakout. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Please arrive at 5:45pm arrival for a 6pm sharp start.

    This event will be 1 hour (including the Q&A).

    Accessibility

    Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


Throughout her two-week residency at The Mill, Astrid will be developing this performance work investigating the link between disposable culture, planned obsolescence and the ephemeral nature of human life. 

The starting point to developing this work has been a series of photos she took as a joke present for her son, who kept wheeling home broken office chairs that he’d found on the side of the road. She noticed how many there were, dumped on the street. She has 88 photos of dumped chairs so far!

Something that started out as a joke, has taken on meaning for Astrid. She started to see beauty, loneliness and despair in those chairs; as though they were people with personalities and back stories. The chairs, much like humans, are not designed to last and she started to think about other types of objects that are disposable, the types of people who are ‘disposable’. 

This inspiration and concept is in very early stages of development and this residency will give Astrid the time to explore her thoughts, note making and photo taking.

Please join Astrid Pill and The Mill's CEO/Artistic Director for an informal performative conversation about the process.

  • Astrid is a performer/theatre maker who has worked with numerous companies and collaborators since 1996. She worked with Restless Dance Theatre and Patch Theatre Company, both over 10 years periods and has a 20-year collaborative relationship with Ingrid Voorendt and Zoe Barry, with whom she is creating the new work – Widow Weirdo.

    She has worked with Brand X, Yashchin Ensemble, The Border Project, Sarah Neville, Maude Davey and Vitalstatistix, Ingrid Voorendt, Ladykillers, Daisy Brown/Cabaret Festival, Windmill and State Theatre SA/Brink. She sang for The New Pollutants re-score of Metropolis, which toured to major venues and film festivals including The Sydney Opera House and Fed Square.

    Astrid has won many awards including an Adelaide Critics Circle Award for Cake, which she wrote, toured and adapted for ABC’s airplay and an Arts SA Emerging Artist Award, which enabled her to study voice and physical theatre in France and Poland. 

Photo: Courtesy of the artist


public program, gallery II

Exhibition: Peter Owen, Flower Punk: Permaculture for Arts'n'Craft

images: Courtesy of the artist

May 1 - June 16, 2023

Launch event: Friday, May 5, 5:30-7:30pm

Free entry, all welcome

  • You can find Peter Owen, Flower Punk: Permaculture for Arts'n'Craft in The Mill’s Showcase Space,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Showcase Space is open Monday-Friday, 10am-4pm.


The Mill is excited to present Flower Punk: Permaculture for Arts'n'Craft, a debut collaborative exhibition by furniture maker and The Mill studio resident Peter Owen. Celebrating the history of repurposed materials, Peter’s work brings us back to the transformative power of the artist’s hand. Peter has collaborated with other Mill studio residents Julianne Brandt, Blake Canham-Bennett, Hamish Fleming, Eleanor Green, Evie Hassiotis, Kate O’Callaghan, Bob Window and Robyn Wood.

  • This exhibition explores art and crafts' relationship to sustainable living. My Flower Punk lamps are a celebration of hand-craft as our greatest source of renewable energy. Beneath the logic of mass production, third world exploitation, and in competition with improperly costed fossil fuels, we have lost sight of the efficiency and beauty in skilled work. The Flower Punk's joy and guiding principle is found in every opportunity to celebrate the maker over the machine.

    My lamp series has developed from an expression of my craft, into an opportunity to collaborat. I have worked with fellow artists to create works, some of which have become the lampshade and others the lamp base. I want to dazzle the audience with the creative possibilities of sustainable culture!

  • After his first love of music and philosophy resulted in a decade of stage-hand work at the Sydney Opera House, Peter realised his creative outlet in the end wasn't the ephemeral arts, but carpentry and craft. What has followed has been an eventful career as a furniture maker, both doing commissions and as workshop manager for The Bower - a Sydney not for profit focused on principles of reuse and repair. Having recently moved to Adelaide, Peter has stationed himself at The Mill to now focus on his flower punk lamps: A series inspired by the permaculture movement, by taking their principles and methodology in the garden and applying it to art and craft. These lamps, made from mostly repurposed materials, will illuminate on the theme of our two great solar powers - greenery (photosynthesis) and human labour. Key to Peter's philosophy is that it will be from the arts that we can find the subtle knowledge necessary to redress our societies in the face of climate change.

  • Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


 

public program, gallery I

Exhibition: Still Self, Crista Bradshaw, Steel Chronis, Hamish Fleming, Honor Freeman and Angelique Joy

Images: (L) Angelique Joy, Earthly Delights & The Spaces In Between (Audrey) ; (M) Crista Bradshaw, Remember 8; (R) Honor Freeman, Pieces of You. Courtesy of the artists.

May 1 - June 16, 2023

Launch event: Friday, May 5, 5:30-7:30pm

Free entry, all welcome

  • You can find Still Self in The Mill’s Exhbition Space,
    located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Exhibition Space is open Monday-Friday, 10am-4pm.


The Mill presents Still Self, a group exhibition featuring work by Crista Bradshaw, Steel Chronis, Hamish Fleming, Honor Freeman and Angelique Joy, curated by Adele Sliuzas. Still Self brings together artworks that explore connection to and disconnection from the self. Each work exists as a glimpse, a moment captured and shared. The artists reveal traces of emotions, spaces, and bodies through different mediums including painting, sculpture, moving images, and installation.

  • Crista Bradshaw is a proud Wangkumaran contemporary artist. Residing in Adelaide, South Australia, Bradshaw grew up without a strong connection to her Wangkumaran heritage. She came to discover that through the process of colonisation and intergenerational trauma, her family had lost its relationship with their language group. It was in her late teens that she began to re-establish this connection. Crista works with forms of expanded painting, sculpture and installation, investigating modes of representation that showcase the ways in which Indigenous and Australian art has evolved.

    Steel Chronis is a South Australian Artist working on Kaurna Land. Mostly working in the medium of oil paint, she likes to focus her attention to the practice of still life painting.

    H. Fleming is a contemporary realist painter based in Adelaide (Kaurna Country), South Australia. Fleming’s practice blends together traditional and contemporary approaches to painting. Fleming works in the preestablished traditions of Still Life and Portraiture, utilizing them as avenues to address the shared experience of contemporary life.

    Honor Freeman is an artist living and working in the Fleurieu Peninsula on Ngarrindjeri land in South Australia, whose practice utilises the mimetic properties of porcelain, crafting objects that belie their materiality and purpose. Freeman completed her studies in 2001 at the South Australian School of Art. Following graduation, Honor took up an Associate position and Tenant residency in the ceramics studio at JamFactory Craft & Design. Her work has been curated into major exhibitions at institutions throughout Australia, including the MCA, Tarrawarra Museum of Art and The PowerHouse Museum. She has undertaken international residencies at Guldagergaard, Denmark’s International Ceramic Museum and in the US at Indiana University’s School of Art & Design.

    Angelique Joy is a Neuroqueer, visual artist working with photography and the expanded nature of the digital image. Angelique’s practice is informed by their Neuroqueer lived experience and through the intersecting frameworks of posthumanism, queer and xenofeminism.

    Their practice has emerged out of a concern with identity, otherness and space. They are interested in the cultural and material spaces we all unfold within. Increasingly their practice is interrogating the digital spaces we populate and how the technologically mediated bodymind is contributing to new worlds.

    They are particularly interested in exploring how each being, both human and non, unfolds, is constructed and performed within the spaces we inhabit, the spaces we claim, and the spaces we are kept from.

    Angelique is currently a PHD candidate at RMIT, School of Art.

  • The still life genre of painting, as an artefact of the western canon of art, can be seen as a public remnant of personal connection to objects; intimate, domestic, and related to our sense of self. The artists in this exhibition use objects within their work to tell stories specific to their experience of life. Tension is drawn between the real and virtual: the plush textile of Angelique’s sculptures and their rematerialised, digital twin; objects echoed in mirrored poses in Steel’s still lifes. Honor’s slip cast ceramic works create a sense of the uncanny, where we recognise the life-like qualities of the objects, but also understand that they are duplicates of the ‘real’. Hamish’s paintings of everyday objects create meaning through presence and absence. Crista invites the audience to witness moments of reconnection, using collage and mixed media to build a faceted journey of her and her family’s reconnection with the Wangkumara Language Group.

    -Adele Sliuzas

  • Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com


 

expand, public program

Expand: Make|Shift Access Tours

Image credit: Margie Medlin

July 9, 2023

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free


The Mill invites you to experience Make|Shift via one of two access tours:

11am: Auslan interpreted, guided tour

The Mill invites the Deaf community to join us for an Auslan interpreted, guided tour of the Make|Shift exhibition for Deaf and hearing-impaired audiences. In this tour members of the Make|Shift artistic team will talk about the exhibition and the meaning of the artwork, with Auslan interpreters from DeafConnect translating.

1pm: Audio description tour

The Mill invites audiences who are blind or have low vision to join us for an audio-described guided tour of the Make|Shift exhibition. In this tour members of the Make|Shift artistic team will talk about the exhibition and the meaning of the artwork, and the describers will supply visual descriptions of the work and facilitate any touching of artworks/reference objects. Presented with Access2Arts

Make|Shift is an immersive and experimental exhibition of projection art as part of Illuminate Adelaide. The exhibition features digital image and projection based work by six South Australian multidisciplinary artists; James Alberts, Ray Harris, Sarah Neville, Liam Somerville, Inneke Taal and Tanya Voges, with Margie Medlin as Artistic & Curatorial Facilitator supported by artistic mentorship from illuminart’s Cindi Drennan and Tim Gruchy.

The Make|Shift exhibition will be open for viewing across The Mill’s Exhibition Space and Showcase galleries, The Breakout and outdoor spaces. 

  • Make|Shift is part of The Mill’s Expand program, a responsive process and development program, with interest in challenging artists to explore interdisciplinary, site-specific and audience-focused new work.

    Expand supports artists to explore different modes of collaborating and encourages peer-learning. It enables risk taking, experimentation and freedom of expression in the creation and realisation of new works. Expand invites audiences to not only appreciate, but actively participate in the practice of art-making through artists talks, Q&A’s and public workshops.

    The exhibition has been developed through Expand’s  Cinematic Experiments: Projection Techniques and Technologies program.

  • Item description
  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Unfortunately, the main entrance is not accessible, as it has a small step from the pavement.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team you would like to come into the building.

    A member of The Mill team sit in the foyer Monday to Friday and can assist you with access to our wheelchair accessible entrance.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact us via email

 
 
 
 

Illuminate Adelaide are the presenting partner for Make|Shift.

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

Make|Shift and Cinematic Experiments: Projection Techniques and Technologies are presented with support from City of Adelaide.


 

expand, public program

Expand: Make|Shift Forum

Image credit: Margie Medlin

July 9, 3pm

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: $15 (+ booking fee)


The Mill invites you to the Make|Shift Forum where you can hear from the artists about their practice and process. The forum will feature a panel of exhibiting artists and will be chaired by Artistic and Curatorial Facilitator Margie Medlin and The Mill’s CEO/Artistic Director Katrina Lazaroff (live captioned and live streamed).

Make|Shift is an immersive and experimental exhibition of projection art as part of Illuminate Adelaide. The exhibition features digital image and projection based work by six South Australian multidisciplinary artists; James Alberts, Ray Harris, Sarah Neville, Liam Somerville, Inneke Taal and Tanya Voges, with Margie Medlin as Artistic & Curatorial Facilitator supported by artistic mentorship from illuminart’s Cindi Drennan and Tim Gruchy.

The Make|Shift exhibition will be open for viewing across The Mill’s Exhibition Space and Showcase galleries, The Breakout and outdoor spaces. 

  • Make|Shift is part of The Mill’s Expand program, a responsive process and development program, with interest in challenging artists to explore interdisciplinary, site-specific and audience-focused new work.

    Expand supports artists to explore different modes of collaborating and encourages peer-learning. It enables risk taking, experimentation and freedom of expression in the creation and realisation of new works.

    Expand invites audiences to not only appreciate, but actively participate in the practice of art-making through artists talks, Q&A’s and public workshops.

    The exhibition has been developed through Expand’s Cinematic Experiments: Projection Techniques and Technologies program.

  • to be announced

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street. Unfortunately, the main entrance is not accessible, as it has a small step from the pavement.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team you would like to come into the building.

    A member of The Mill team sit in the foyer Monday to Friday and can assist you with access to our wheelchair accessible entrance.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact us via email

 
 
 
 

Illuminate Adelaide are the presenting partner for Make|Shift.


This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

Make|Shift and Cinematic Experiments: Projection Techniques and Technologies are presented with support from City of Adelaide.